'Whatever it grants to vision and whatever its manner, a photograph is always invisible: it is not what we see.' (Barthes, 1980: 6) 'Light - both natural and artificial - can thus be perceived as a custodian of truth. Seeing has become a cultural form of believing.' (Thomas 1996: 148) Photography became the means for which to observe the world, to describe its properties, and most importantly, to prove things existed within the relationship of space and time. New technologies have fundamentally transformed the way photographic images are produced as well as perceived. Digital photography is a medium that 'privileges fragmentation.' (Mitchel 1992:8) Digital photography has so deeply penetrated current image culture. Lev Manovich indicates that what is lost however, is not realism, but only photographic realism. 'Manipulation is integral to photography." (Rosler 1991: 53) (source: Digital photography and the question of realism, Antonia Bard...
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